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Sunday, January 27, 2013
Thursday, November 15, 2012
Wednesday, October 31, 2012
Tuesday, September 18, 2012
Friday, September 14, 2012
Inking Tips: Weight, Wrapping Details Around Forms
I am finding that a lot of artists who want to assist and ink for me are struggling with the same problems. So rather than me giving the same notes to every artist, It would save a lot of time and trouble for me to just give the notes to everyone.
Here is an ink that on the surface looks clean. However it is also too flat - for me. The drawing has been inked line by line - as if the lines exist by themselves and this makes the characters look cold and stiff.
WEIGHT:
Here is an ink that on the surface looks clean. However it is also too flat - for me. The drawing has been inked line by line - as if the lines exist by themselves and this makes the characters look cold and stiff.
WEIGHT:
Tuesday, September 11, 2012
LAYOUT PROCEDURE and purpose
The function of LAYOUT is:
Here is more detail on how to plan a scene for layout:
* Make the scene easy for the animator to understand and use.
That means COMPOSING THE SCENE so that there is enough space for the animator to move the characters - and to clearly see what the characters are doing.
*Preserve the GUTS of the storyboard poses - AND HOPEFULLY TO PUSH THEM FURTHER.
***Ideally, a layout artist should be an animator with a sense of design and composition. The most skillful artists that combine great draftsmanship with a personal style are the artists best suited to layout.
That's a hard combination to find these days.
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